- #Waves l2 ultramaximizer plug in how to#
- #Waves l2 ultramaximizer plug in full#
- #Waves l2 ultramaximizer plug in free#
It was used on many legendary albums, such as Pink Floyd’s The Dark Side of the Moon, Nirvana’s In Utero, Radiohead’s OK Computer and Ed Sheeran’s “+” to name a few.
The Waves Abbey Road TG Mastering Chain models the vintage EMI TG12410 Transfer Console used in all of the Abbey Road mastering suites ever since the ’70s.
#Waves l2 ultramaximizer plug in full#
Best Waves Plugins for Mastering in 2021 – My Top Recommendationsīefore we move on to the detailed reviews, here is the full list for your convenience. Click the image to sign up to receive it.
#Waves l2 ultramaximizer plug in free#
Waves are releasing a brand new free plugin on Black Friday. So here is my review of the best Waves plugins for mastering work in 2020, in alphabetical order.
#Waves l2 ultramaximizer plug in how to#
Check out this post about how to make better buying decisions. Please don’t buy anything unless you’re sure it’s what you need. I only ever promote products that I like and use myself. This also means I’ve had the chance to properly test all of the Waves plugins for real mastering work. My qualifications, short and sweet: I’ve done mastering work for over 10 years now and music production for about 23 years.ĭisclosure: I’m affiliated with Waves and I get all of their plugins for free. In this review, I’ll also tell you why I like each of these VST plugins so much and give you my tips on using them. My goal with this article is to introduce the must-have Waves mastering plugins. This is because I feel there are better options available in a similar price range. There are also many nice plugins that I still won’t recommend. There are some great ones in the Waves catalog, and others I’m not into. I’ve also put them to test against many similar plugins from other companies. In the past years, I’ve used all Waves plugins. However, their catalog is huge, some of the plugins are quite old and there are many overlapping products. Waves Audio plugins are popular and you can often grab them for a great price. vsts will always be alive.What are the best Waves plugins for mastering? It’s a good question. I think the Kratos 2 is a "cleaner" limiter that can be pushed harder than an L2, personally. It's old tech, they've made LOTS of money from it, and it is very long in the tooth. It shouldn't cost more than $29.99 if you were to ask me. I've Mastered countless songs and projects with it. Currently, DAW's like Studio One offer a fleet of plug-ins that are every single bit as useful as most of their Waves counterparts and sometimes even better = Therefore, in the current market, it's hard to pay what Waves are asking for. If some Waves plugs were cheaper, it would get more of their products in more peoples hands, and people would legitimately opt to buy them and not pirate them, like MANY places do. Indeed, the good ol' L2 should be cheaper for what it is.
The L2 shouldn't cost more than $29.99 if you were to ask me. I've always found that MClass is on a par if not better than L2. Keep in mind too that the L2, despite its high quality, is getting pretty long in the tooth now, so it shouldn't just be thought of as "it's really expensive, so it must be better". However the MClass will always to a decent job Lowlifebware wrote:I tend to use the MClass as a 2nd choice because I now use Ozone Maximiser. My personal favorite Limiter in the Reason world, is the Kratos 2 RE. I've even said before I think Reason needs a simple Limiter like an L2 it's been called the "Maximiser" too long, and actually has had a marked affect on the Reason users crowd as far as how quickly they've been able to grasp the concept of what limiting is because of the nomenclature. I too have hundreds of hours using a good ol' L2. To lower the L2 threshold, with the maximizer you actually have to crank the input up until you reach your desired Gain Reduction and sound.īravo = Very well explained. The attack works as in a compressor, try all an judge what sounds better for your material The release is the same as in L2 but only with 3 settings FAST, SLOW, and Auto that I think it is similar setting as ARC in L2. I usually turn Soft Clipping on and leave it as default, but you should try and find what suit you best, I think it adds saturation.
Set the output to your target value - the Ceiling in L2
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